| I am continually impressed with the new ideas that I keep stumbling upon while trolling through
the web. One that particularly peaked my curiousity was a clever web page that had a series of
stills which depicted a computer being assembled by a bunch of lego men. To give credit where
due, here is the link where I found it (Although
the last time I looked, it was dead in the water). Having been introduced into the wonderful world
of Wallace and Gromit by my older brother Ron, I immediately
latched onto the idea and decided to challenge myself to generate my own little still image story -
what's life without a few challenges 8^).
The first problem was coming up with a theme. At first I thought this would be easy, but I ended
up twisting my brain inside and out trying to think of something. I figured it would take a couple
of hours and wanted to invest in a topic that would interest me as well as others (if it turned
out good enough to even consider putting it on the web!). Month after month went by and finally
October came without a hint of an idea. If you have spent anytime in my photo area, you know I
enjoy the Halloween season, so I went to the great pumpkin patch,
picked out the fine specimens that
would become the centerpieces for Fright Night. Two days before the big night, I carved up my first
pumpkin (usually crank out 3-5 a season 8^). While I was driving to work the next day it all of a
sudden dawned on me - YES, I had the perfect vehicle for my still image challenge. Not only did
it have the potential for different stages and scenarios, it was also a subject I enjoyed - of course,
the additional fact was I had to do it anyway, so simply snapping a few shots shouldn't be that hard.
The rest of that day was spent trying to determine which figurines to use. I didn't want to completely
steal the lego man idea, so I considered a He-Man theme, but that had already been taken by the
hilarious He-Man Dance Party website.
The Justice League was
considered briefly as well as the
Little Bus dudes - yes, I know the latter do not have arms, but it sounded good at the time. I then
looked up from my desk at work and noticed the numerous toy Caterpillar machines scattered about my
cube. Clearly we (as you know from my Bio, I actually work at Cat)
have a machine for every conceivable task that I would want to do! Yes, the plan was coming together.
On my way home, I stopped at Farm and Fleet to look for a few machines that would compliment my
current collection - possibly a wheel loader to scoop out the insides, a backhoe to drill out the
pattern, a scraper to smooth the inside edges .... the ideas were coming up faster than I could
commit them to memory - that is when I realized, that I had come up with the perfect scenario. Then
I hit a little snag. Some of the machines I wanted I couldn't find and some that I did find were
either at too large a scale or were not in the price range that I would be comfortable in pouring
pumpkin guts all over. What to do? What to do? Then I turned the corner and spotted the perfect
solution. They had a complete construction set [1] [2]
[3]with a set of men, various machines, construction
accessories like stop signs etc, and a large crane with a wrecking ball. It was clearly inferior
to Caterpillar products (8^), but it had everything I needed with the bonus option of having
4 characters I could feature. The added bonus was that it was all made out of pumpkin goo resistant plaster.
... that and
it was only $16 bucks compared to the $52 it was going to cost me for a couple of Cat models
I needed. I jumped back into my car and headed home for a night of pure fun - at least I thought 8^)
The first task was to create a stage for the stills. If there was one area I wished I had spent
more time on, it would have to be this. I wanted to get filming quickly, so simply threw
up a couple of boards and brought out my favorit Ben
movie poster (ever thankful again to my brother
Ron for obtaining that Halloween artifact for me) and set them up on a 4 by 8 folding table.
I now wish I had taken the extra time to put a motif on the boards rather than leaving them
plain. I then gathered up the items I would use during the event - carving knife, pumpkin pattern
(thanks to Pumpkin Masters for their excellent patterns),
Scotch tape, scoop, candle, matches,
flour, and the construction set. I should point out at this time, there were 4 men in the
construction set each with a unique pose, however, they were not posable. This was less than
ideal, but I figured I could simply swap the various characters in an out and it would
look like they were moving into different positions.
I then made my biggest two mistakes with the whole effort. I immediately jumped into the process
of filming the scenes (i.e. taking the stills) without having a clear plan on what I wanted
to do and where everything should be at a particular time or scene. This resulted in numerous
extra frames as I had to make sure all the machines and people were in the right places to
complete the task at hand. For example, If I forgot to bring the knife into the scene at the
proper point (and I did), I would need to have additional stills of one of the characters leaving
the stage and returning with the knife - or if a machines was on one side of the stage and needed
to pick up something on the other, I needed to show it moving across the stage in order to make
the pickup - no shortcuts in this job 8^). After putting the film together, I decided that the
other mistake I had made was not properly reflecting the timespan between each of the stills.
This wasn't real evident until the stills were glued together and you could see some speed-ups
and slow-downs between the various characters and machines in the scene. After pondering this
for awhile, I decided the next time I would cut a series of strings whose length represented
the furthest distance a character or machine could move from one still to the next. Note the
various lengths would be reflective of the speed of which a given object could move - machines
would be longer than a person etc. That way, I could lay the string down and make sure the
object didn't go beyond that distance from one frame to the next. One might consider this a
bit anal, but shouldn't we all strive to deliver the best finished product possible? This is
not to say that I am not happy with the results, but rather a reflection based on the hindsight
of having gone through this once - and to provide you tips should you consider doing something
similar. To complete the pre-production work, I dragged out my camera tripod and mounted up
my Nikon CoolPix 880 digital camera (no way would I have tried this with standard film).
Ever start a task that you thought would be easy and then quickly realize that you were in
for the long haul? That is EXACTLY what happened here. I finally got the preparation scenes
done (the first chapter in the Pumpkin Construction series) and looked up at the clock to
see that 2.5 hours had passed. Yes, 2.5 hours and I still haven't got a single cut in the
pumpkin. Essentially, I was making up the scenes on the fly. I know I will need a crane
to remove the top, so I will bring in the crane from here, wait, it will take a couple of
trips to get the crane here, then I have to have the characters in the right place to unload
the trucks - all this while continually switching the characters around so they looked like
they were moving (varying the poses as mentioned above). Turns out I only had two nights
to complete this pumpkin before Halloween - panic set in which only made things more
stressful. Still not wanting to diminish the integrity of the effort, I plodded on making
sure I didn't take any shortcuts in the scenes. The hours flew by until it was late into the
night and it was time to get some sleep before work the next day - all in all, it was a 10.5 hour night
that left me with a shelled pumpkin that was ready for carving. As you will see in the movies,
I actually could have streamlined this a little, if I had not done the various creature
invasions (After looking that long at a pumkin and some plastic dudes, you need to add a
little humor to keep from going insane.) Wallace and Gromit creators, you have my upmost
appreciation!)
After work the next day, I started back on the task at hand. How much longer could it possibly take?
Well, let me tell you - another 11 hours later I was done with the pumpkin and captured all the
stills I needed - 309 in total! A couple of days after Halloween, I started on the final
product. It became obvious very quickly that my pictures were way too big. Apparently I had
forgotten to move the camera off of the 1024x768 setting. That left a daunting task of reducing
all of the images with my favorite graphics tool Paint Shop Pro.
Nothing like some tedious boring work
to make the night go by 8^). Once the size was set, I decided to use the built in image viewer in
Windows to get a quick viewing of the potential end product. It started out good and then I
noticed it... yes, there were flaws in my effort. Sometimes I had too many people in the scene,
others had a character (or two) knocked over. AAAARRRRGGGHH! with all of my careful effort, I
still made mistakes (I blame it on sleep deprivation 8^) Having spent a number of hours doctoring
up photos in the past for the fun of it, I decided to simply correct the problem post production. Fortunately,
I had stills both ahead and behind the still which I could use to cut out background stills and
paste over errant characters. Hey, at least I admitted it, unlike these fine examples of
media manipulation [Java One]
[LA Times].
Now it was time to build the movie - THUD THUD THUD THUD - that is the sound of my head hitting
the wall. For the next 6 months I tried and tried to get it built to no avail. Every tool I
tried failed miserably. They either made it too small, too blurry, too big or died mid cycle.
It did become apparent through these numerous attempts that one large movie was going to be
unwieldly and just plain to large for web download. That is when I decided to break it
up into individual chapters. For an added touch, I cranked up PSP and whipped up some title
screens to boot. Then along came SiC (fellow SMoF UT clan member) who lent me his video
expertise and helped me out of the
mess (Big Thanks). He created a few test cycles with the new
MS Movie Maker 2.
This did exactly
what I wanted it to do and only crashed a couple of times (it appears to go bonkers if you
add multiple transitions to a frame). Finally, a finished product and a wrap to a very
underestimated challenge. Over the course of the next several weeks, I will be publishing
the various chapters of the movie. I hope you get some enjoyment out of my toils and gained
some insights in case you were considering doing your own still capture movie (recommend
thinking twice on that 8^).
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